Photographer George Platt Lynes achieved renown during his lifetime for his innovative celebrity portraits and striking fashion photography. However, his best work and greatest passion was for the explicit male nudes he made of his lovers, friends, colleagues, dancers, models — and any other handsome man he could persuade to disrobe in front of his camera. This articulate, wide-ranging, fabulously gossipy documentary brings to life the charming, complex man who wielded his good looks, natural talent, and massive ambition in pursuit of artistic creation and sexual pleasure. 　　Directed by famed art director Sam Shahid, this doc portrait places the photographer within the larger network of gay artists and cultural figures who championed each other’s work. Showcasing a dazzling amount of Lynes’ photographs (including some rarely seen to this day), Hidden Master: The Legacy of George Platt Lynes mounts a convincing case that Lynes not only deserves rediscovery, but should be remembered as one of the great masters of 20th century photographic art. 　　源自：https://www.frameline.org/films/frameline47/hidden-master-the-legacy-of-george-platt-lynes

Photographer George Platt Lynes achieved renown during his lifetime for his innovative celebrity portraits and striking fashion photography. However, his best work and greatest passion was for the explicit male nudes he made of his lovers, friends, colleagues, dancers, models — and any other handsome man he could persuade to disrobe in front of his camera. This articulate, wide-ranging, fabulously gossipy documentary brings to life the charming, complex man who wielded his good looks, natural talent, and massive ambition in pursuit of artistic creation and sexual pleasure. 　　Directed by famed art director Sam Shahid, this doc portrait places the photographer within the larger network of gay artists and cultural figures who championed each other’s work. Showcasing a dazzling amount of Lynes’ photographs (including some rarely seen to this day), Hidden Master: The Legacy of George Platt Lynes mounts a convincing case that Lynes not only deserves rediscovery, but should be remembered as one of the great masters of 20th century photographic art. 　　源自：https://www.frameline.org/films/frameline47/hidden-master-the-legacy-of-george-platt-lynes

年轻的王子维恩，肩上背负的是一个资源、人才和兵力都很缺乏的弱小国家。文武双全又深受臣子信赖的他，其实心里有个不为人知的愿望。 「好想把国家卖了逃之夭夭啊──！」 没错，原来王子的真面目是个想过悠哉自在隐居生活的卖国贼！ 但是，他在外交上讨好大国，却出乎预料地独占了利益；与邻国交战时本来只打算小赢一点，结果竟大获全胜。虽然赚得了名声，却离卖国目标愈来愈远，臣民也士气高昂，让他骑虎难下!?以天才王子为主角，充满惊奇的弱小国家经营故事，就此开幕！

故事发生在一个名叫纳特拉的王国之中，王子维恩（齐藤壮马 配音）在父亲病倒之后，终于独自一人肩负起了治理整个国家的重任。纳特拉实在是太过于弱小了，每天都在遭受周边强国的霸凌和侵略，维恩既没有足够的钱来整顿内政，有没有足够的战力去侵略掠夺别国资源，慢慢的，国内的人才纷纷流落到了其他国家之中。而维恩最大的愿望，就是能够早日卖掉自己的国家，过上闲散的生活。 　　辅佐官妮妮姆（高桥李依 配音）和王国公主芙拉妮雅（千本木彩花 配音）一直陪伴在维恩的身边，辅佐着他，可即便如此，现在的工作对于维恩来说还是太超过了。“只要讨好大国，卖掉这个国家就能实现他的梦想了”，弱小王子的国家经营故事就此拉开了序幕。

玛丽亚姆和努拉发现父亲去世前留下了巨额遗产，为了防止被她们的哥哥白白拿走一半的遗产，两姐妹试图赶在哥哥得知消息之前，拿到父亲在银行留下的钱。为此，姐妹俩必须放下彼此的芥蒂，互相合作，展开一系列精心策划的行动。

讲述了一无所有的33岁未婚女人与拥有百亿资产的八旬老人伪装结婚后，与老人不懂事的四个儿子寻找亲情的愉快温馨的家庭剧。

玛丽亚姆和努拉发现父亲去世前留下了巨额遗产，为了防止被她们的哥哥白白拿走一半的遗产，两姐妹试图赶在哥哥得知消息之前，拿到父亲在银行留下的钱。为此，姐妹俩必须放下彼此的芥蒂，互相合作，展开一系列精心策划的行动。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.